Traumatic Suffering in Roses and Bullets and Half of a Yellow Sun
- Ahaiwe Kenneth Chimezie
- Eze Chidiebere C
- Godline Nkeiru Chim
- Department of English and Literary Studies, University of Nigeria, Nsukka
- Published in
- Volume 21, Issue 2 (September 2021), pp. 88–101
- Published
Abstract
War literature has continued to generate different critical arguments that validate the use of war and trauma narratives as important instruments for social reform. The emergence of war literature has created a link between history and fiction. This essay, explicates the traumatic suffering of characters in the selected novels. The avoidable wars that the novels fictionalize chronicle different levels of suffering and devastation that people went through in the historic war. The trauma theory conceptualized by Cathy Caruth was adopted in this research. This approach allows the flow of a proper psychoanalytical discourse to take place. It also propels the ideas of traumatic suffering to a level of critical understanding of literary values of the text. This research looks at the concept of tragic suffering and trauma holistically. Qualitative method of textual engagements enables this research to arrive at the conclusion that the characters in novels are traumatized by tragic suffering and devastating they experience during the different civil wars. In conclusion, this research implicitly, argues that civil war should be avoided because war brings different types of pains, torture, tragic sufferings and trauma.
Read the full article
Download PDFLoading…
The PDF opens here.
More from this issue
- Non-Human Agency and Ecological Resistance in Maaza Mengiste’s The Shadow King
Vivien Bello-Osagie
- Archetype and the Image of the Woman in Amu-Nnadi’s A Field of Echoes
Chinasa Abonyi, Chidi Eze and Chinonye Okemuo
- Non-Human Agency and Ecological Resistance in Maaza Mengiste’s The Shadow King
Vivien Bello-Osagie
- Archetype and the Image of the Woman in Amu-Nnadi’s A Field of Echoes
Chinasa Abonyi, Chidi Eze and Chinonye Okemuo
- Literary Analysis of the Performance and Song Texts of Mgboka Umuanunu, Ngwa Women’s Wing, Ilishan, Ogun State.
Okpala, Victory Ogochukwu
More in Literary Theory and Criticism
- Religious Difference in Nigeria-Reappearing Shadows of Colonial “Us” Versus “Them”: A Reflection on Selected Novels
Ndukwe, Desmond Azoma and Ogheneruemu Akpore
- Cultural Multiplicity and African Migrants’ Dilemma in Sola Owonibi’s The Black Men of Bissonnet Street
Taiwo A. Stanley Osanyemi
- Traumatic Voicing of Patients’ Relatives In Yejide Kilanko Stay With Me And Ayobami Adebayo's Daughters Who Walk This Path
Petrina Ebinehita Gber and Joy Nwiyi
- Representation, Gender and The Politics of Marginalisation in Chimamanda Ngozi Adichie’s Dream Count
Okoro, Harmony Ezinne and Omoregie, Blessing Onaiwu Eyonju
- The Novel as a Cultural Artefact in Africa
Isaac Ojo Atere and Chukwunomsue Juliana Nwazodoni