Representation, Gender and The Politics of Marginalisation in Chimamanda Ngozi Adichie’s Dream Count
- Okoro, Harmony Ezinne1
- Omoregie, Blessing Onaiwu Eyonju2
- 1Redeemer’s University Ede
- 2Anchor University Ayobo
- Published in
- Volume 25, Issue 1 (September 2025), pp. 88–106
- Published
Abstract
Sexual violence inflicted on migrants and women of colour has always been rendered insignificant by their host communities, perpetuating the inequalities of gender, race, class, social mobility, citizenship status and nationality. The media, anti-sexual violence activism and anti-rape law are not built to address the sexual violence against African migrant women, thereby rendering these victims subjects of media and societal scrutiny, mockery and objects of caricature. Reading Chimamanda Adichie’s Dream Count, this study applies the implicit bias theory as the primary framework to examine the Western media’s framing and mainstream perceptions of sexual assault against women of colour, without institutional power. It analyses the challenges of narrating sexual violence by the victims, and the unconscious biases against victims, which lead to victim-blaming tendencies. Intersectionality is applied as the complementary framework to clarify how immigration, gender, class and race interact in the novel’s depiction of gender-based violence. Through qualitative and textual analysis of Kadiatou’s narrative, inspired by the Nafissatou Daillo case, the paper shows that implicit biases in Western media strengthen intersectional oppression and expose the limits of Western anti-rape law in sexual violence involving migrant African women and men-in-power using Adichie’s Dream Count.
Read the full article
Download PDFLoading…
The PDF opens here.
More from this issue
- Conceptual Metaphors in the Second Chapter of the Holy Qur’an: A Cognitive Linguistic Analysis
Yahaya Ibrahim Aliyu and Ado Mamuda
- From Concordance Lines to Conceptual Mappings: A Corpus-Assisted Comparison of Perception Metaphors in English and Hausa Romance Fiction
Mohammed Sani Ya’u
- Religious Difference in Nigeria-Reappearing Shadows of Colonial “Us” Versus “Them”: A Reflection on Selected Novels
Ndukwe, Desmond Azoma and Ogheneruemu Akpore
- Cultural Multiplicity and African Migrants’ Dilemma in Sola Owonibi’s The Black Men of Bissonnet Street
Taiwo A. Stanley Osanyemi
- Traumatic Voicing of Patients’ Relatives In Yejide Kilanko Stay With Me And Ayobami Adebayo's Daughters Who Walk This Path
Petrina Ebinehita Gber and Joy Nwiyi
More in Literary Theory and Criticism
- Religious Difference in Nigeria-Reappearing Shadows of Colonial “Us” Versus “Them”: A Reflection on Selected Novels
Ndukwe, Desmond Azoma and Ogheneruemu Akpore
- Cultural Multiplicity and African Migrants’ Dilemma in Sola Owonibi’s The Black Men of Bissonnet Street
Taiwo A. Stanley Osanyemi
- Traumatic Voicing of Patients’ Relatives In Yejide Kilanko Stay With Me And Ayobami Adebayo's Daughters Who Walk This Path
Petrina Ebinehita Gber and Joy Nwiyi
- The Novel as a Cultural Artefact in Africa
Isaac Ojo Atere and Chukwunomsue Juliana Nwazodoni
- Oral Tradition in the Age of TikTok: Rethinking Performance, Audience, and the Griot in Nigerian Digital Culture
Eden Benefit Jooda